The still life of fruit is yet another study from Patti Mollica’s book How to Paint Fast, Loose and Bold: Simple Techniques for Expressive Painting.

As far as my efforts in copying still life demonstrations from various painting teachers, this is one of my better ones in my opinion. I’m most pleased with the dark red (purple) cherry.

That said, all the stems I painted are sloppy — I need to practice painting thin lines. And the brushwork on the red apple is awful. The paint choices as well could be improved — the red is so transparent you can see through to the raw sienna underpainting, and my charcoal pencil outline. Sigh.