I used Aquarelle pencils to do her hair, but the paper I did the drawing on buckled when I added water. Ugh.

The inspiration for my sketch is a photo by Tania Dimas from Pixabay

This drawing is inspired by a photo by Klary Tineo from Pixabay. It’s done using Staedtler’s Aquarelle pencils, and I applied the water brush after.

Again, from my sketchbook, this time using Staedtler’s Mars Lumograph Aquarelle pencils. This was so much fun to draw! It is based on an image by 👀 Mabel Amber, who will one day from Pixabay.

This sketch of a rose is based on an image by InspiredImages from Pixabay.

As I mentioned in this post, I’m taking the online course by Peggi Kroll-Roberts, and the assignment is to do 2-value and then 3-value studies painting the figure. In this effort, I am using the figure I sketched out in charcoal here, as prep for a future painting.
I drew out the figure first, using a 6×8 piece of 300-lb watercolor paper. For comparison’s sake, I’ve included the charcoal figure.


Based on an image by sarahbernier3140 from Pixabay
I’m still fired up about sunflowers, and trying to improve. This work was based off the image by Nadine Doerlé from Pixabay.
I did the background is dioxazine purple, a complementary of the yellow. (I think I’m better at drawing out the sunflower than painting it!)
Step 1 – draw out the flower; Step 2 – paint the background

Then I painted the flower petals and the center.

And, last steps.

This painting was based off an image by RÜŞTÜ BOZKUŞ from Pixabay, and an article I found on the UK site Painters Online. I used an 8×8 canvas for this work, and took photos of each step I took.
Step One was to apply the modeling paste. The horizontal “goop” was to signify clouds; the vertical lines was to signify weeds and plant stalks.

After applying the modeling paste and letting it thoroughly dry, I went in my own direction rather than following the Painters Online demo.
I used a gray green mixed with a yellow green for the grasses, and a gray blue for the sky area.

Green is reportedly not a good color to use alone when doing landscapes and meadows. So, my next step was to apply a transparent orange glaze (using Liquitex Gloss Glazing Medium over the green paint, and let that dry thoroughly.

After the glaze dried, I added a darker value in the center bottom (to match with the reference photo) as well as adding a glaze of Cadmium Red Medium Hue for the clouds.

Next I painted the flowers, using Dioxazine Purple with some Titanium White, some yellow flowers, and highlighted the stems with Gray Green, yellow, and Burnt Sienna. I retouched the grassy area with some green. Then I added some of the Dioxazine Purple mixture to the clouds in the sky, and called it a day.
(The photo here doesn’t fully reflect the periwinkle/purple color of the flowers; they look too blue.)
