Human Figure – Value Study

As I mentioned in this post, I’m taking the online course by Peggi Kroll-Roberts, and the assignment is to do 2-value and then 3-value studies painting the figure. In this effort, I am using the figure I sketched out in charcoal here, as prep for a future painting.

I drew out the figure first, using a 6×8 piece of 300-lb watercolor paper. For comparison’s sake, I’ve included the charcoal figure.

Based on an image by sarahbernier3140 from Pixabay

Sunflower #5

I’m still fired up about sunflowers, and trying to improve. This work was based off the image by Nadine Doerlé from Pixabay.

I did the background is dioxazine purple, a complementary of the yellow. (I think I’m better at drawing out the sunflower than painting it!)

Step 1 – draw out the flower; Step 2 – paint the background

Then I painted the flower petals and the center.

And, last steps.

Meadow Wildflowers… Using Modeling Paste

This painting was based off an image by RÜŞTÜ BOZKUŞ from Pixabay, and an article I found on the UK site Painters Online. I used an 8×8 canvas for this work, and took photos of each step I took.

Step One was to apply the modeling paste. The horizontal “goop” was to signify clouds; the vertical lines was to signify weeds and plant stalks.

After applying the modeling paste and letting it thoroughly dry, I went in my own direction rather than following the Painters Online demo.

I used a gray green mixed with a yellow green for the grasses, and a gray blue for the sky area.

Green is reportedly not a good color to use alone when doing landscapes and meadows. So, my next step was to apply a transparent orange glaze (using Liquitex Gloss Glazing Medium over the green paint, and let that dry thoroughly.

After the glaze dried, I added a darker value in the center bottom (to match with the reference photo) as well as adding a glaze of Cadmium Red Medium Hue for the clouds.

Next I painted the flowers, using Dioxazine Purple with some Titanium White, some yellow flowers, and highlighted the stems with Gray Green, yellow, and Burnt Sienna. I retouched the grassy area with some green. Then I added some of the Dioxazine Purple mixture to the clouds in the sky, and called it a day.

(The photo here doesn’t fully reflect the periwinkle/purple color of the flowers; they look too blue.)