Using Water on Canson Touch

I decided not to entirely give up on the Canson Touch paper — after all, I have 9 more 20×30 sheets of it! I need to learn how best to use it.!

After reading more blog posts by Karen Margulis, and the online workshop PDFs by Marla Baggetta, I decided to try using water on the pastel. I laid down some gray pastel, and then used an older watercolor brush to lightly wet down the pastel and mix it into the paper.

After letting it fully dry — which was at least 30 minutes — I painted the pear below. The dark brown cast shadow is from a Blue Earth pastel; the lighter brown is a NuPastel, the yellow and the orange are Richeson Hand-rolled pastels. I’m delighted with how the color laid down on the modified surface of the Canson Touch paper.

I will be doing more experiments with this!

Working with Pastels and Charcoal

I’ve been taking Rebecca de Mondenca’s pastel classes on arttutor.com, and this is some of my initial work from her class “A Beginner’s Guide to Pastels”.

I find I don’t care for the pastel paper that has the honeycomb look, although it can hold more pastel layering, given the “tooth” of the paper.

Most of these are from using the Dick Blick Artist’s Pastels (60 set), but the (finger) blended blues are Sennelier Landscape (30 set) pastels.

Mark Making in Charcoal

Now that I’ve completed “Drawing Essentials”, I am browsing through ArtTutor for more classes, and am interested in trying out charcoal. (I have memories of using charcoal pencils in grade-school art.) In any case, in this image, I tested out charcoal pencils (upper left), Comte pencils (upper right), vine charcoal (lower left) and compressed charcoal (lower right). The white –except for the Comte pencil example — is my General’s white “charcoal” pencil. The paper used is gray-toned Strathmore.