Drawing Hair…With Willow Charcoal

Today I watched a “Drawing Together” ArtistsNetwork video on YouTube about drawing hair, which is something I have trouble with — I typically draw “spaghetti hair” which, of course, is totally wrong. Now I’m learning to more accurately draw hair by drawing the shapes and masses, then just adding striations.

The reference photo is here.

This study was done on Strathmore drawing paper, using only medium willow charcoal (Winsor & Newton) and my trusty kneadable eraser. I used a paper towel and my finger for blending. Willow charcoal, it turns out, is awesome! So easy to erase or rub out and start again!

I was not focused on replicating the profile, but rather getting a sense of the hair mass.

Portrait in Charcoal

This portrait is based on a photo I downloaded from Pixabay. I used soft vine charcoal for the large shaded areas, For the more detailed areas, I used charcoal pencils 2B and 6B, in addition to Conte crayon in light gray, with mere touches of Conte in white. The rendering was done on Strathmore 400 gray toned sketch paper.

Based on an image by endorassi from Pixabay

Eye Study

I have a set of Derwent pastel pencils (36-count tin), and am taking Phil Davies’ “Portraits in Pastel Pencil” class on arttutor.com. I was less interested in exactly matching the reference photo than I was in determining the best 10 colors to use. (We’re limited to a palette of ten, per the instructor, and he uses Faber-Castell Pitt pastel pencils.)

The first drawing was done on Rembrandt Talens pastel paper, and I dislike the look of the honeycomb hatched paper. Utterly ruins the drawing for me! The other paper used was Canson Mi-Tientes (smooth side). In both cases, a tinted gray paper was used.