I did the follow-along sunset from Marla Baggetta’s course on the Canson Touch paper and also the Pastelmat paper, without doing any more of the underpainting than the light touch test I did on the papers earlier.


I did the follow-along sunset from Marla Baggetta’s course on the Canson Touch paper and also the Pastelmat paper, without doing any more of the underpainting than the light touch test I did on the papers earlier.


Two of the things I recognized as being at issue with my follow-along painting from Marla Baggetta’s Sunsets in Pastel course are: my heavy touch (which led to “mud”) and my poor job at the underpainting.
The original picture is below on the right. To counteract the muddiness, I experimented with removing excess pastel in the ground area as well as the upper sky by using an inexpensive bristle brush.
The brush-off showed yet another problem — the underpainting which amounted to nothing more than a scribble. I should have done a wet wash, or a dry wash and not leave the scribbles!
That said, another thing was that I used the Blue Spruce NuPastel on Pastel Premier paper (320 grit); I had difficulty moving the hard pastel around.
So I decided to make a second attempt at the scene, being careful to keep a LIGHT touch.


This project was based on an image by MustangJoe from Pixabay. I used Colourfix Smooth in Blue Haze all three times, as well as using the same palette.
All three efforts were failures, but at least I learned a few things.
Attempt #1
First time around, I did an underpainting (of the dark areas only) using a Blue Violet NuPastel. Using this color was a BAD idea! Why? Because I would later add a dark gray-green, and a reddish brown on top of that blue violet, which made mud. Ugh!
First time around, I also used too heavy a hand, in effect scribbling with the pastels trying to cover the paper. Bad idea — too heavy a hand can ALSO create mud.
First time around, the pine trees were cartoonish. But I was so frustrated with the mud mess I didn’t care at that point!
Attempt #2
Attempt #3
I need to try colors with more purple and less green and brown. I may need to experiment with papers which have more grit.






Today I did two landscapes using the same reference photo, and the same pastels, but two different papers and underpainting.
The reference photo was from an image by Tomasz Marciniak from Pixabay. I made it grayscale to verify there was sufficient difference in values.


The pastels I used were Great American, Blick Artists’ Soft Pastels, Richeson Hand-rolled, and Blue Earth.

The first painting was done on Canson Mi-Teintes (smooth side) in the Red Earth tint. I did an underpainting with NuPastels (212 – Deep Orange, and 378 – Erin Green).


The second painting was done without any kind of underpainting, and using Pastel Premier paper in Italian Clay, a 320 grit sanded paper.


Here are the 3 pictures in grayscale: the original photo, the pastel on Canson paper, and the pastel on Pastel Premier.



Here are the three images in color (same order):



This pastel painting is based off an image by MustangJoe from Pixabay.
I used ArtSpectrum Colourfix Smooth in Blue Haze. My underpainting was done with willow charcoal, and I used Blue Earth, Blick, Richeson Hand-rolled and Sennelier pastel half-sticks.





This landscape was done on Pastelmat (Sand color), using soft pastels from Blue Earth, Sennelier, and Dick Blick’s Artist’s Soft Pastels. The original image was by Larisa Koshkina from Pixabay



Today I did my own landscape painting based on a photo of a sunrise I took several years ago in our backyard.
I used Clairefontaine Ingres paper, which is unsanded, and not too bad. It was a pale tan color (and part of my unsanded paper sample I purchased from Jackson’s Art a year ago.) The initial drawing was done in vine charcoal. And I kept the size to 8×6.



Today I watched a YouTube video (click here) by Karen Margulis about successful strategies for a daily painting habit. She demonstrated painting a landscape in pastel in 20 minutes and after I watched it once I decided to follow-along and try my hand at her style.
Below are step-by-step pictures of my attempt. I used a portion of my Canson Touch board in Twilight color. Karen’s painting is much superior to mine, but this was actually fun! It really did take 20 minutes. AND I feel ready to give a shot to doing a painting using one of my own photos.
The big tree really only looks like a tree from a distance, so I included a distant shot. I don’t yet have the skill Margulis has so I would want to draw out my trees a bit more. I can’t quite make the connection from abstract value shape to something I view as a tree after painting.






