This is the week 8 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s based on a photo he took near the Tetons in Wyoming. He called it “Late Light Shed”. I enjoyed painting this one. As usual, it’s the 3 primaries, black and white, but I did “cheat” a little by using some of Liquitex Basics Blue Gray Blue “convenience color”.
This is the week 7 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s based on a photo of the Swiss Alps. I painted this on a 6×6 canvas panel, with a toned background of a neutral brown (made with Red Oxide, Cad-free Yellow Medium, and Ultramarine Blue).
Trying to catch up with the series of mini paintings… This is the week 5 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s based on a photo Dorsey took in a local state park in, I believe, Washington. Take that back, while the original photo reference was provided, the lesson was actually based on the painting (called “Dappled Light”) he did based on the reference photo.
This was done on a 6×6 canvas panel, which was painted black. The only colors used were the 3 primaries.
I’m way behind on this series of mini paintings, as week #6 just dropped on Friday. So, this is the week 4 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s based on a picture he took in the Canadian Rockies. To me it’s similar to week #1.
This was done on a 6×6 canvas panel. As with the other weeks, I used the 3 primaries, plus black and white.
These trees are based off an image by Inna Sherman from Pixabay. I stuck with the primary palette (cad-free yellow medium, pyrrole red and ultramarine blue), black and white, but I also used a bit of yellow ochre, mainly for the grasses. I worked it on a 6×8 canvas panel.
This was week 3 for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s based on a picture he took of a hazy morning with the grass full of dew, in an area near his home. It reminds me a lot of the English cottage landscape I did at Paint Coach Patreon.
This was done on a 6×6 canvas panel. I used the 3 primaries, plus black and white.
This was the third of the 3 mini practice paintings where we the students copy some of Jed’s paintings. In the next round, we copy bigger paintings which are more challenging. Then we move on to more detailed studies of subjects like color mixing, perspective, design/composition, etc. (All with practice paintings of course!)
I had bought some black 8×8 canvases during the holiday season so I used one of those rather than tone a white canvas with Mars Black. Same difference — I just don’t like the black canvas. It skews my sense of color. Ugh. I just want to paint all over it to cover it up!
So I’m going through the Foundations classes in the library of Acrylic University — basically the reason I paid for a year’s subscription. In Acrylics 101 we cover the basic tools (brushes, easels, types of acrylic paint), the importance of thumbnail sketches, values, color (opaque vs. transparent, color mixing, etc.) and then finally we do some practice paintings. Three are minis (6×6) and three are larger sized (up to 16×20).
Jed Dorsey, our instructor, says that he has found that beginners do better — and gain confidence more quickly — when they attempt to copy a painting rather than work with a reference photo (or plein air) primarily, I assume, because the artistic decisions have already been made. He demos painting a copy of his own painting, explaining why he did what he did.
So, with that lead-in, here’s my painting of his painting. I used Diarylide Yellow as my toning color, and painted on 6×6 canvas paper using only a #8 flat brush.
These paintings are from Part 1 of an color-study exercise I’m doing on the Acrylic University site. The class is taught by Jed Dorsey; it is his reference photo and his follow-along painting vids I am using for my own studies below.
Part 1 focuses on a warm yellow (I used Liquitex Cad-Free Yellow Medium), a cool blue (Phthalo) and a warm red (I used Pyrrole Red).
Part 2 will feature different versions of the primary hues; I’ll be using Liquitex Cad-Free Yellow Light (cool), Ultramarine Blue (warm), and Anthraquinone Red (cool).
BetterLateThanNeverArt 