Landscapes

Travels Near & Far – Dianna Shyne – Week #1 (mini Painting challenge)

| cathmary1030

To boost my confidence after not painting for over a year I signed up for another 52-week mini painting challenge at Acrylic University. This one is called “Travels Near & Far” and Dianna Shyne is the artist. I like her paintings almost as much as I like Jed Dorsey’s, so why not?

Week #1 (called “Last Rays”) comes from a reference photo she took on previous visits to Prince Edward Island. I’ve been to PEI myself — couldn’t resist checking out the tourist attractions related to that famous fictional character Anne Shirley (aka Anne of Green Gables) — so I understand the appeal.

This was painted on a 6×6 Claybord panel, toned in pink.


52 Mini Paintings Challenge: Week #38

| cathmary1030

I went the entire 2025 calendar year without painting AT ALL — I was in ICU at the first of the year, and later, dealing with my dad’s metastatic cancer and eventual death. Just wasn’t inclined to pick up a brush.

Back in 2024 I started Jed Dorsey’s mini painting challenge series, but about halfway through the year I got bored of copying someone else’s artwork, so started skipping around with the mini challenge weeks. I only did about half of the 52 so now will do a few more of the remaining — those that most appeal to me.

This is the week 38 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s called “Mountain Atmosphere” and is based on a reference photo by Ravi Pinisetti. 6×6 canvas panel, toned in a medium-dark gray.

Field of Sunflowers

| cathmary1030

This painting is on a 6×6 “Claybord” panel with the undertone painting done in gold metallic paint that’s roughly the color of yellow ochre. (Like a rank novice, I wasted decent money on metallic paints and have never figured out a use for them — same with the iridescent paint I bought last year. Anyway, I recently read about an artist named Michele Usibelli who uses gold metallic paint as her undertone in a number of her paintings — bingo! I’m going to try that myself.

Turns out either the metallic paint or the Claybord (or both!) had a slippery sensation that was hard to work with. (But that could be me…)

In any case, these sunflowers come from one of the 7 paintings demonstrated at the 2024 Summer “Challenge” at Acrylic University. Which I didn’t participate in at the time, but am trying my hand at now that I have some more time.

52 Mini Paintings Challenge: Week #16

| cathmary1030

This is the week 16 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s called “Canyon Shadows” and is based on a reference photo by Jacob Jolibois, supposedly somewhere in the Grand Canyon area. 6×6 canvas panel.

Surprisingly straightforward, although when I looked at the reference and my painting in gray scale, I had to adjust my values for the cliff at the left, and the sky just above it. As well as the distant canyon walls.

Cherry Tree… After Dianna Shyne

| cathmary1030

Last week, the instructor Dianna Shyne led a workshop on the “Colors of Spring”, which included her painting four small studies of flowering trees and spring flowers. I was struck most by her field of daffodils, and this flowering tree. (I’m guessing it’s a cherry tree.) I did my own version of the reference photo, and here is my result. (I took a photo at a distance, because in some ways, the painting looks better from afar.) 8×10 stretched canvas.

Colors used: Titanium White, Quinacridone Magenta (PR122), Naphthol Red (PR112), Cad-Free Yellow Medium, Ultramarine Blue and Raw Umber. I toned the canvas a few months ago with Raw Umber and Titanium White.

Field of Daffodils… After Dianna Shyne

| cathmary1030

One of the perks of Acrylic University membership is weekly classes/workshops livestreamed on YouTube. Last Friday, the instructor Dianna Shyne led a workshop on the “Colors of Spring”, which included her painting four small studies of flowering trees and spring flowers. One was of a field of daffodils, and since daffs are my favorite flower, I tried my own version of the reference photo she used.

This was done on an 8×10 stretched canvas, and the yellow used is (mostly) Liquitex Cad-Free Yellow Light (Lemon), with some Cad-Free Yellow Medium in the foreground. All the various shades of green were mixed from Cad-Free Yellow Light and Mars Black.