Field of Sunflowers

This painting is on a 6×6 “Claybord” panel with the undertone painting done in gold metallic paint that’s roughly the color of yellow ochre. (Like a rank novice, I wasted decent money on metallic paints and have never figured out a use for them — same with the iridescent paint I bought last year. Anyway, I recently read about an artist named Michele Usibelli who uses gold metallic paint as her undertone in a number of her paintings — bingo! I’m going to try that myself.

Turns out either the metallic paint or the Claybord (or both!) had a slippery sensation that was hard to work with. (But that could be me…)

In any case, these sunflowers come from one of the 7 paintings demonstrated at the 2024 Summer “Challenge” at Acrylic University. Which I didn’t participate in at the time, but am trying my hand at now that I have some more time.

52 Mini Paintings Challenge: Week #26

This is the week 26 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s called “Blue Sky Poppies” and is based on a reference photo by Sergey Schmidt. 6×6 canvas panel, untoned.

I’m not overly happy with this one. I struggled with the flower shapes and the soft focus of the reference photo. The result is that it’s more abstract than I had originally intended. However, I AM (mostly) happy with the colors.

52 Mini Paintings Challenge: Week #19

This is the week 19 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. (I’ll get back to weeks 17 and 18 some other time). It’s called “Roses for Mom” and is based on a reference photo by Ann Dorsey. 6×6 canvas panel, toned in Naphthol Red.

I listened to the video of the class weeks ago — we’re already up to week 23 — and just used a grayscale printout of the photo as my reference. For the roses, the darkest red is Quinacridone Magenta, otherwise it’s just Naphthol Red with varying amounts of Titanium White.

This was a fun one to paint.

Purple Tulips… after Ali Kay – Done!

I finally finished the purple tulips. It’s not really my style, but I had to try it. If I could do it all over again, I’d either dilute the gesso with some water and use the biggest brush I could find (to minimize brush strokes / ridges, and I’d probably do it in at least a 10×10 size.

The finished version is on the left. Where it looks black, it’s not. That’s dioxazine purple. Also, I started out with a straight line between the table and the wall, but messed up with my salmon-colored paint. I’ll need to adjust either with the bluish-purple (likely) or the orange/ salmon color.

Purple Tulips… after Ali Kay — in progress

I haven’t worked on this project in days, because frankly I got a little bored. Too paint-by-numberish. I like this artist’s style — more here — for pet portraits and people, and am thinking about signing up for her “Fresh Paint” school when it reopens. But I wanted to see what “Fresh Paint” might be like by purchasing this lesson. We get the templates (which I like!) and then the color “recipes”. Her style is to use (more or less) complementary-color underpainting in pieces (not just one overall underpainting / toning). She also uses Masonite or wood panels that have to be gessoed first, rather than canvas or paper.

Also, I’m using an 8×8 panel and in all honesty it would be better if I were doing a 12×12 or even 20×20. (Those templates are also available as part of the class.)

Anyway, this is what I have so far, and I’ll try to finish it some time this week.