Floral

Close-Up of Daffodils in a Vase

| cathmary1030

I wanted to work on the daffodils because they’re just a blur in my last painting. I did this on an orange-toned 5×5 wood panel, and actually traced the reference image (which I got from Ali Kay‘s Fresh Paint site) on to the panel, adding most of the detail. I had hoped it would help. Alas, it’s still a case of garbage in-garbage out.

I debated even posting this, but decided to go ahead, as I understand from my classes that painting is really all about solving problems. As a beginner, I’m definitely not doing a good job of solving this one! I’m posting an over-saturated copy of the zoomed-in reference image I used as a means of comparison.

I intend to paint more daffodils; perhaps I’ll try a frontal view first. And then tackle this one again. It’s easy enough to see errors in this comparison.

Daffodils in a Vase

| cathmary1030

This painting done on an 8×8 canvas is from a reference photo at Fresh Paint, an online art class/community led and taught by Ali Kay. In her lesson for this painting, which I scanned briefly, she didn’t mention the source of the photo. It may have been one of her own; I searched Pixabay and Unsplash, and did not find anything similar.

Although I used the template from Fresh Paint and traced it on to the canvas, I still didn’t get the flowers right. Will have to try again.

Happy National Daisy Day!

| cathmary1030

Today — January 28th — is National Daisy Day. Perfect timing for finishing an 8×8 painting I was working on from Acrylic University‘s “Bold and Beautiful” Summer Challenge from last year. This painting is based on a reference photo taken by Jed Dorsey.

I did my painting on an 8×8 black canvas that I had painted over with a blue gray color which ended up working well for conveying the shadows on the back petals.

This is the final and below are some in-progress shots.

Field of Sunflowers

| cathmary1030

This painting is on a 6×6 “Claybord” panel with the undertone painting done in gold metallic paint that’s roughly the color of yellow ochre. (Like a rank novice, I wasted decent money on metallic paints and have never figured out a use for them — same with the iridescent paint I bought last year. Anyway, I recently read about an artist named Michele Usibelli who uses gold metallic paint as her undertone in a number of her paintings — bingo! I’m going to try that myself.

Turns out either the metallic paint or the Claybord (or both!) had a slippery sensation that was hard to work with. (But that could be me…)

In any case, these sunflowers come from one of the 7 paintings demonstrated at the 2024 Summer “Challenge” at Acrylic University. Which I didn’t participate in at the time, but am trying my hand at now that I have some more time.

52 Mini Paintings Challenge: Week #26

| cathmary1030

This is the week 26 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s called “Blue Sky Poppies” and is based on a reference photo by Sergey Schmidt. 6×6 canvas panel, untoned.

I’m not overly happy with this one. I struggled with the flower shapes and the soft focus of the reference photo. The result is that it’s more abstract than I had originally intended. However, I AM (mostly) happy with the colors.

52 Mini Paintings Challenge: Week #19

| cathmary1030

This is the week 19 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. (I’ll get back to weeks 17 and 18 some other time). It’s called “Roses for Mom” and is based on a reference photo by Ann Dorsey. 6×6 canvas panel, toned in Naphthol Red.

I listened to the video of the class weeks ago — we’re already up to week 23 — and just used a grayscale printout of the photo as my reference. For the roses, the darkest red is Quinacridone Magenta, otherwise it’s just Naphthol Red with varying amounts of Titanium White.

This was a fun one to paint.