“Low Tide” – Calling It Done

For what it’s worth, I’m done with this painting from Acrylic University‘s 2024 Summer Challenge based off a photo by Doug Greenman of a Puerto Rico beach.

I’m not super excited about it. I don’t like the orange — but come to think of it, I really didn’t like the magenta tone on the board to start with. (Maybe I should’ve started by painting over that!)

One thing I AM happy with is the father and child figures, and their reflection.

“Low Tide” – Work in Progress & Painter Notes

I am working on a painting from Acrylic University‘s 2024 Summer Challenge which Jed Dorsey painted using a photo by Doug Greenman of a Puerto Rico beach.

The first thing I did was crop the reference photo fully square and reduce the contrast significantly, as well as brighten so that the sky and sea look mostly orange.

I am using an 8×8 wooden panel which I had toned in a magenta color months ago, The cliff, the distant shore, and the reflections of the figures are all painted in shades of Raw Umber & Titanium White. Then I added Ultramarine Blue to that mixture to paint the sand, the bank of low dark clouds above the horizon, and the wisps of clouds above. The bright spot is a yellow and white mix; the orange is Naphthol Crimson, Cad-Free Yellow Light (Liquitex) and white.

52 Mini Paintings Challenge: Week #6

This is the week 6 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s based on a photo Dorsey took of a rocky beach at sunset. I used one of my last few 8×8 black canvases because Dorsey paints his version on a black background. (I think I’ve said this before, but I really struggle with a black background; it throws the colors/values off, and you need several coats of paint to hide the black say, against the sky).

I also struggle with beach rocks, and have a couple of PaintCoach Patreon lessons earmarked which focus on beach rocks that I need to do for more practice.

That said, this is my effort, and frankly, it looks quite abstract. Which is not necessarily terrible.

Master Copy: Jane Slivka & Painting a Tropical Landscape (In Progress)

After doing the human figures in the paint-along by the Florida artist named Jane Slivka, I bought two of her video classes, one of which was this Tropical Landscape. 

I used Transparent Orange (PO 73) by Chroma Atelier as a background, then Sap Green mixed with Carmine (Amsterdam Acrylic) for blocking out the greenery. For the grasses, I used the Amsterdam’s Sap Green and Yellow Green, as well as Winsor Galeria’s Sap Green (much lighter than Amsterdam’s Sap Green). The sky is Light Blue Permanent by Liquitex Basic; the ocean is Phthalo Green mixed with Titanium White.

The sand has been blocked out with transparent Zinc White. I still need to paint the sand and its shadow colors, and add some color (sunlight and shadows) to the bark of the palm trees.