Toddler Wearing Bunny Ears

This was done on an 8×8 canvas panel in shades of Golden’s Burnt Umber and Liquitex Raw Sienna. The actual color of the background is not turquoise, but rather a mint green (Phthalo Green Blue Shade and Titanium White) along the lines of the green color in the Adobe “Cutouts” image below.

I cropped the original photo to focus on the face, then used the Cutouts option within Adobe Photo Essentials, and then transferred the image to the canvas panel. What is most off from the photo is the nose and mouth; I’ll have to redo that and see if I can make it more exact to the contours of the child’s face.

Photo by Zena Ghosn on Unsplash

Let’s Face It 2026 — Week 4

I did this portrait in acrylic on an 8×8 canvas panel as a part of the 4th weekly exercise of Let’s Face It 2026. It was taught by Laurie Johnson. I modified the reference photo in Adobe’s Photo Essentials, using the “Cutout” feature (set at 4) to make the skin shading lines. (Now I need to blend better!) I am thinking of redoing the whole thing. We’ll see. (In the meantime, she looks better in miniature.)

Let’s Face It 2025 — Week 1

A year ago I signed up for Let’s Face It 2025, a 52-week series of portrait lessons which you can either follow along with or use as inspiration for your own fully original art, but I never did a single exercise. This was Week One and it was taught by Kara Bullock.

I have yet to complete any of the years I bought (2023 through 2025) although I just signed up for the 2026 version, but there are actually only a few weeks in each of the years which interest me, and they’re on my to-do list.

This one was done on an 8×10 canvas toned in quinacridone rose (PV 19), and I don’t have the photo credit information, but am guessing it’s on Unsplash or Pixabay. “In progress” photos are below. I used a lot of Burnt Umber, Raw Umber, Titanium White, and a crimson color (PR 264).

Monochromatic Man… a “Fresh Paint” lesson

Back in March, I posted about painting a vase of purple tulips, from a one-off online class by Ali Kay. I had decided I would consider joining her “Fresh Paint” membership, which from what I can tell operates more or less like Jed Dorsey’s Acrylic University.

So, the doors opened for a limited time last week, and I joined for a year. We’ll see how it goes. I like the work she posts on Instagram, and I like her subject matter — a lot of people and animal portraits, as well as flowers.

This painting is actually based off of an Unsplash photo. I struggled a bit with her process, which seemed a little bit paint-by-number to me, but I wanted to try it. Hardest for me is remembering to leave touches of the underpainting visible, as I’m used to often painting on white canvas and skipping the whole underpainting thing. Also I rarely layer to the extent she does — but perhaps I should.

She also primarily works from photographs, and transfers the key lines from the photo to the substrate so you focus on painting rather than drawing. Also, she works on gessoed wood panels, using fluid acrylics, while I’m working on canvas using heavy-body acrylics so the flow is obviously different. (It’s too hot where I live to use a lot of fluid acrylics — they dry in something like 2 minutes.)

I’d like to try doing this on a wood panel to see the effect; I might like it. But I’ve got a stash of canvas to work through first.