Pastel

Pear Study

| cathmary1030

This study was done on Canson Mi-Tientes Touch paper, one from my Jackson’s Art sampler.

I like the contrast of the blue background with the orangey-yellow highlighted side of the pear. I don’t particularly care for the way the pastel doesn’t “fill in” the paper.

And since I did this study, I’ve learned that the pros often do underpainting for numerous reasons, one of which is coverage and a unified tone. I had thought that using toned paper in itself might be enough. It’s okay but it looks more like a drawing than a painting.

Espresso Study

| cathmary1030

Today I painted my espresso cup.

What I like is my color choices: I think they closely resemble the cup in “life”. I’m especially happy with the crema color(s). I’m somewhat pleased with the actual drawing of the cup. I am least pleased with my mark-making, especially with regard to the crema. Perhaps I would be better off using NuPastels or even pastel pencils to render the detail more finely.

Or, be more impressionistic in my painting, and use blurry strokes instead of trying to match the reference so closely.

Playing with Color — Apple

| cathmary1030

I don’t recall what pastel paper I used; the pastels here are mostly Blick Artist’s Soft Pastels (half sticks) that are, obviously, brand-new. I had a lot of difficulty laying down color in the way I wanted!

Afterwards, on one of Marla Baggetta’s YouTube demos in which she uses Rembrandt pastels, she mentions that the pastels are new, and she gently abraded them against the sanded paper she was using.

I have some Rembrandt half-stick pastels as well as Blick Artists pastels; they seem similar in look and feel to me. So, I used some scraps of fine sandpaper to abrade some of my Blick pastels. I hope that will help in my next painting!

Working with Pastels and Charcoal

| cathmary1030

I’ve been taking Rebecca de Mondenca’s pastel classes on arttutor.com, and this is some of my initial work from her class “A Beginner’s Guide to Pastels”.

I find I don’t care for the pastel paper that has the honeycomb look, although it can hold more pastel layering, given the “tooth” of the paper.

Most of these are from using the Dick Blick Artist’s Pastels (60 set), but the (finger) blended blues are Sennelier Landscape (30 set) pastels.