beginner

Snowscape in Color

| cathmary1030

Here is my snowscape done in color. The snow is partly pink, blue and yellow, and very nearly white where the small bushes are. I removed the little pine tree at the suggestion of a member of Karen Margulis’ Patreon group for pastel classes. Most of the pastels used were Richeson hand-rolled, which is fast becoming my favorite brand.

(I have the comparison between the value study and the color version below. The original image was by Alain Audet from Pixabay.)

This is how the two versions compare:

original value study

Watercolor Color Wheels

| cathmary1030

I was playing with my new watercolor travel kit and made two color wheels — one Warm, one Cool. The Warm wheel was mixed from French Ultramarine, Cadmium Yellow and Cadmium Red (all Winsor-Newton). I love the orange, but the “purple” and “green” are unappealing. (This was done on 300 lb. paper.)

The Cool color wheel was made up of Winsor (Phthalo) Blue (Green Shade), Winsor Lemon and Alizarin Crimson. The “orange” is unappealing to me, but l love the vivid green. The purple is not too bad.

Value Study for Snowscape

| cathmary1030

Today, on Karen Margulis‘ Patreon page, she challenged us to do a painting using only hard pastels like NuPastels, Rembrandts, Cretacolor, etc. Well, my Dick Blick Artist’s Soft Pastels are roughly the hardness of Rembrandts, so I chose to use those.

Then I decided to do a value study for a snowscape based off a Pixabay image by Alain Audet from Pixabay. I may end up using this as an underpainting for that snowscape, but I suppose it could stand alone. I did this on Sand-colored Pastelmat, 9×12.

value study

And these are the sticks I used.

Bog in Winter

| cathmary1030

This work is based off a photo by Pexels from Pixabay. I did it on a 9×12 piece of Pastelmat in sand color. I did an alcohol wash underpainting, using NuPastels in orange, rust and deep dark blue. Most of my pastels were Blue Earths and Richeson Hand-rolled, the latter quickly becoming my go-to pastel sticks.

Trying out UART 400 Paper

| cathmary1030

Today I painted the same scene as yesterday, using the same pastels, but using UART 400 paper (again from my Jackson’s Art sampler set). This paper was easier to use, and I enjoyed it very much. The marks I made were much bolder — automatically — on the UART 400 paper.

Image by Evgeni Tcherkasski from Pixabay

And here are the two paintings side by side. The velour version appears much softer, almost as if the image is blurry.

Trying out Hahnemühle Velour Paper

| cathmary1030

Today I tried velour paper that I received in my sampler from Jackson Art. It was a very different texture; it feels to me the pastels just lay down on the top of the paper. And that the paper almost “resists” side strokes. It was fun to try, using Richeson, Blue Earth, Dick Blick and my one Terry Ludwig pastel, but I’m not certain I would buy this paper on a regular basis.

The reference image is by Evgeni Tcherkasski from Pixabay

The pastels I used

3 Pears on a Plate

| cathmary1030

I did this work from life, using a sheet of Colourfix Original paper in Dark Green Leaf shade. I did not do any underpainting, and was using Richeson Hand-rolled and some of my new Mount Vision pastels. The Richeson pastels, to my mind, really work well on this paper, especially if I don’t do an underpainting in NuPastel.

Random Underpainting… Autumn Trees

| cathmary1030

I had no idea what to paint today, so I just started randomly putting NuPastel on paper, and then I rubbed it in with a paper towel. Now I had an underpainting (of sorts) but didn’t know what to do with it — at first. Then I realized it reminded me of autumn trees.

My trees are cartoonish, but the whole picture is straight from my imagination, based on the colors and shapes of the random “underpainting”.