This walnut was sketched with 2B, 4B and 6B Derwent pencils.

This walnut was sketched with 2B, 4B and 6B Derwent pencils.

Using Derwent pencils, which surprisingly seem “better” — darker — than Staedtler, which I’ve been using until now.

This study was done on “Cinnamon” Canson Mi-Teintes (smooth side) in charcoal, soft pastel and pastel pencil. It was based on a demo in Sarah Hoggett’s Drawing & Painting Portraits & Figures: A complete step-by-step course, with 35 projects and 800 photographs.

Another hand based on the Crilley book…

This speaks for itself, and is based from the awesome book Mark Crilley’s Ultimate Book of Drawing Hands.

Ears are something I need to practice as well, mostly because I want to get the inner shapes right on a profile-view.


This was done on 6×8 white Pastelmat, sketched first using an H pencil. I did not do an underpainting.


This study was inspired by an image by Yann Allegre on Unsplash. I used the same pastels as I used for my previous effort, but I added a more detailed underpainting using NuPastels, after sketching the trees with vine charcoal.



I used a turquoise NuPastel for the underpainting of the fir trees, and the fact that it peeks through is about the only thing satisfying about this effort. The photo doesn’t show the snow well, but I used yellows, pinks and light blues as the snow rather than straight white. The snow on the branches was actually a very pale yellow color — almost white — and a Blue Earth pastel.

And these are the pastel sticks I used.
