Joke’s on me. I posted the wrong “final” version earlier. This one, with the lights, is the final of “Winter Cabin”. For better or worse. Onward!

Joke’s on me. I posted the wrong “final” version earlier. This one, with the lights, is the final of “Winter Cabin”. For better or worse. Onward!

This reference photo came from another online lesson at PaintCoach’s Patreon site. I’ve also included a work-in-progress photo, and a photo of my final work.
The most glaring mistakes are that I didn’t get the relationships between the blocks right, especially the yellow pyramid, and I don’t have a shadow for the yellow pyramid! (I could add one, but I want to move on.)
Then there is the issue of color. I didn’t want the super-dark background, but the red sphere is too brown, as is the olive-green square. And in the photo the blue cylinder looks more square in the photo of my painting than it does in real life. Sigh.
Will need to do this exercise again sometime.



I have completed the Winter Cabin landscape.

As I indicated in an earlier post, I’m working on “Winter Cabin” in a follow-along from a PaintCoach post on Patreon.

As a beginner, I really had no idea what to buy as far as brushes were concerned, and also it was more important to me to go with high-grade paint. Brushes are a lower priority. I also heard that every brand uses their own sizing so that a “4 Flat” is not the same size across vendors (which I have since found — by buying different brands — that is not exactly true.)
So, based on the photo below, the closest brushes to the camera are from Blick and they’re hog bristles. In my beginner hands, and because I bought the bigger sizes (10, 12) I find them somewhat difficult to use. Currently I use them mainly to paint base coats on to my canvases. (I don’t ever use them for painting gesso coatings — I have a set of cheap Blick utility brushes for gesso.) They are very easy for me to clean with dishwash soap.
The Princeton Aspen brushes are synthetic; they feel somewhat “plastic” to the touch — that is something I like. The little brush is a “2 Bright” which is just too tiny for me, but I like the other two very much. Very easy to clean either with dishwash soap or The Master’s Brush Cleaner & Preserver.
I bought the Silverwhites at Jerry’s Artorama. I don’t use them much — that the bristles are white turns me off because they never seem clean. Plus the bristles are super soft.
The Creative Mark Pro Whites have firmer bristles than the Silverwhites, but I have the same aversion to “dirtying” the bristles. I’ve really only used the 10 Flat, which is permanently stained.
Last but not least are my current favorite brushes: the Creative Mark Staccatos. I love the firm bristles, and I don’t have any hang-ups about staining the dark bristles, lol. You can tell from the handles full of paint that I use them constantly, and I prefer the flats to the filberts.
So those are my current thoughts about brushes for acrylic painting, which will likely change in 6 months or so. What brushes do you prefer?

I’m working on another lesson from PaintCoach’s Patreon pages. This one is called “Winter Cabin”. I’m using an 8×10 canvas, which I toned with Windsor & Newton Galeria’s Pale Umber. I sketched out the basic shapes with a Liquitex acrylic paint pen in Burnt Umber.

Driving home last night, I was struck by how yellow the sky was, in contrast to the dark trees. So I decided to paint what I remember seeing. (Didn’t bother with taking a photo with my phone, even though I was the passenger.)

For better or worse, I’ve finished it!

After I completed today’s work, I realized that the center pumpkins were all in a line, and I decided I didn’t like that. Bad composition. (See left image.) So I removed one of the pumpkins, and I think it looks a bit more natural.

