Well, I couldn’t stand that last painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University, so I redid it using a 6×6 white canvas panel, and sketching out the rocks with willow charcoal. Oh, and then I used (for the first time) acrylic gouache (an intro kit from Holbein). I love the matte effect.
The new painting is far from perfect, but on the whole, I consider it an improvement to the original (comparison below).
And here’s the comparison:
This is the week 6 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s based on a photo Dorsey took of a rocky beach at sunset. I used one of my last few 8×8 black canvases because Dorsey paints his version on a black background. (I think I’ve said this before, but I really struggle with a black background; it throws the colors/values off, and you need several coats of paint to hide the black say, against the sky).
I also struggle with beach rocks, and have a couple of PaintCoach Patreon lessons earmarked which focus on beach rocks that I need to do for more practice.
That said, this is my effort, and frankly, it looks quite abstract. Which is not necessarily terrible.
Trying to catch up with the series of mini paintings… This is the week 5 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s based on a photo Dorsey took in a local state park in, I believe, Washington. Take that back, while the original photo reference was provided, the lesson was actually based on the painting (called “Dappled Light”) he did based on the reference photo.
This was done on a 6×6 canvas panel, which was painted black. The only colors used were the 3 primaries.
This was drawn out and then transferred to an 8×10 canvas, based on a reference photo from a Kara Bullock Art drawing class called “Pushing the Values” taught by Lauren Rudolph.
I’m way behind on this series of mini paintings, as week #6 just dropped on Friday. So, this is the week 4 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s based on a picture he took in the Canadian Rockies. To me it’s similar to week #1.
This was done on a 6×6 canvas panel. As with the other weeks, I used the 3 primaries, plus black and white.
This portrait is from a black and white reference photo that, unfortunately, I cannot remember where I downloaded it from — possibly from the curated Unsplash photos here. In any case, I actually drew this one out entirely by hand (in willow charcoal). Not sure why I chose a yellow ochre-clear gesso background, but I did.
I’m reasonably satisfied with this one — at least she looks fairly human. I can list at least half a dozen things I would want to do differently next time, but calling this done for now.
I did this charcoal work as a part of the 4th weekly exercise of Let’s Face It 2024. It was taught by Jim Bentley. (He does a demo of this face on his Instagram account.) For the class he used Bristol paper — which I believe is fairly smooth — and also carbon powder applied with brushes, none of which I had. I did my charcoal piece with some willow charcoal, compressed charcoal sticks, and blending stumps. And on Strathmore Charcoal paper, tinted green.
Today I got the email that Week 6’s cloud lesson is available… so I hustled to paint Week 4’s painting! So here is Week 4’s effort for Dianna Shyne’s “Cloud Challenge” at Acrylic University. The reference photo was for the setting sun’s rays breaking through the clouds. (I wish I could share, for comparison sake, but it’s a copyrighted photo by the artist.)
I’m getting behind on the cloud paintings, and remembering to post them! Here, for Week 3 of Dianna Shyne’s “Cloud Challenge” at Acrylic University, is my effort. The reference photo for this class was a sunset over a body of water.
BetterLateThanNeverArt 