52 Mini Paintings Challenge: Week #12 – REDO in 2026

This is a redo of the week 12 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University, based on my observations of mistakes I made in the original painting. The idea was to get the proportions more accurate, the perspective/distance more accurate, and to convey a better sense of form (namely, that the trees were at the top of and behind a hill).

I painted it on a 5×5 canvas panel. For the sky I used Liquitex Soft Body Light Blue Permanent (PB15, PG7, PW6) and mixed the lower latitudes with more white. The pine trees were painted with Atelier’s Forest Green (PY74, PB15.3, PR101) mixed with Phthalo Green (Blue Shade) and Ultramarine Blue. The darker grass was a mix of Atelier’s Forest Green with Cad-free Yellow Medium by Liquitex, and the lighter grass was a mix of Winsor’s Sap Green (PY74, PG7, PBk7, PW6) and Cad-free Yellow Medium.

Here is a comparison between the original I two years ago, and the one I did today. The newer painting is far from perfect — the trees are still wonky, the paint is gloppy on the trees and I think the grass should be lighter in value — but at least you can tell the trees are on a hill, and the rocks no longer “float”.

Here are some in-process photos of the redo:

Here’s a value comparison between the reference photo [credit: Mark Hadland] and my painting.

More ArtRage Vitae… Copying a Master

Today I tried painting a Christmas ornament in ArtRage Vitae, and I used as a reference a painting by Teddi Parker, which you can see here.

As with the sketch of Simba, I struggled a bit. In the Simba drawing, I used the felt pen tool; in this case I used the square flat brush, and widened the stroke.

It should be obvious that Teddi’s painting (master copy) is on the right.

The funny thing is, it actually felt like I was painting, despite using my finger tip! But I want to get back to the brush tomorrow.

Red Onions… After Vicki McGrath

I discovered Vicki McGrath on a “Learn to Paint” podcast, and then followed her on Instagram. After my first attempt at the red onion from my Acrylic University lesson, I attempted to copy Vicki’s work, although I changed the background from green stripes to a solid mint green via phthalo green yellow shade. She paints in gouache on watercolor paper; I used acrylic on an 8×8 canvas. Her version is available as a print here.

Cups of Coffee.. After Teddi Parker

I discovered Teddi Parker after listening to a podcast at Learn to Paint Podcast. And then I found her Instagram, and her website. In looking at her work, I was struck by one with 4 cups of coffee: black and bubbly, mildly creamy and one quite milky. I believe hers was done using acrylic house paint. In any case, I wanted to copy her different coffee colors, the bubbles, the shadows in the mugs, and the highlights.

This was done strictly as a study, on an 8×8 canvas.

52 Mini Paintings Challenge: Week #12 – Value Adjustment

After I completed the week 12 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University, and compared it to a grayscale of the reference image, I realized the values were off. So I’ve lightened the trees and the grass.

Here’s the value comparison between the reference image and the original painting, and then the reference and this updated version. The updated pic is, obviously, on the left. My trees and my grass were much too dark in my first attempt.

Purple Tulips… after Ali Kay – Done!

I finally finished the purple tulips. It’s not really my style, but I had to try it. If I could do it all over again, I’d either dilute the gesso with some water and use the biggest brush I could find (to minimize brush strokes / ridges, and I’d probably do it in at least a 10×10 size.

The finished version is on the left. Where it looks black, it’s not. That’s dioxazine purple. Also, I started out with a straight line between the table and the wall, but messed up with my salmon-colored paint. I’ll need to adjust either with the bluish-purple (likely) or the orange/ salmon color.

Purple Tulips… after Ali Kay — in progress

I haven’t worked on this project in days, because frankly I got a little bored. Too paint-by-numberish. I like this artist’s style — more here — for pet portraits and people, and am thinking about signing up for her “Fresh Paint” school when it reopens. But I wanted to see what “Fresh Paint” might be like by purchasing this lesson. We get the templates (which I like!) and then the color “recipes”. Her style is to use (more or less) complementary-color underpainting in pieces (not just one overall underpainting / toning). She also uses Masonite or wood panels that have to be gessoed first, rather than canvas or paper.

Also, I’m using an 8×8 panel and in all honesty it would be better if I were doing a 12×12 or even 20×20. (Those templates are also available as part of the class.)

Anyway, this is what I have so far, and I’ll try to finish it some time this week.