I finished the “Guacamole” paint-along from PaintCoach’s Patreon page. The background in this photo is bluer than in reality.

I finished the “Guacamole” paint-along from PaintCoach’s Patreon page. The background in this photo is bluer than in reality.

So, after making my apples too green (and dark) with mostly Winsor & Newton Sap Green (and some yellow, believe it or not, I tried a “convenience” color (Yellow Green from Amsterdam). That got me closer, but at that point, I was over-painting the original dark green apples. The third try, I got closer to the color I wanted, but I ceased paying attention to the darker shapes in the reference image (including the shadows).
The only thing I’m relatively satisfied with right now is the dark area around the apple stems. AND that I finally got reasonably close to the local color of the apples.
I need to paint this again from scratch, but frankly, I’m temporarily sick of apples! π



Here are the value comparisons between the reference photo and the original painted green apples, and the reference compared to the final painting.


Originally, my lights were too dark, while some darks (the cast shadows) weren’t dark enough. Now my lights are okay but the darks aren’t dark enough. And the apple at the left is misshapen.
This is another paint-along from PaintCoach’s Patreon page. I painted what I thought I saw, not what I actually saw. “Green” apples are green, right? Wrong. They’re mostly yellow. The image from Adobe Photoshop Essentials shows the darkest green as being mostly an olive color. (Actually, with photos the way they are, the darkest areas showed up as black, so I “color-picked” the edges of the shadow.)

Anyway, this image testing came AFTER my first attempt here — and the quinacridone magenta wash, and Payne’s gray outline to start did not help anything. Ugh.



I’m working on “Guacamole” — another paint-along from PaintCoach’s Patreon page. Here’s a few in-progress photos.




Today I painted a pair of tomatoes based on a 2021 post at PaintCoach‘s Patreon page. This was done on a 6×8 canvas panel.



This is the week 8 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University.βIt’s based on a photo he took near the Tetons in Wyoming. He called it “Late Light Shed”. I enjoyed painting this one. As usual, it’s the 3 primaries, black and white, but I did “cheat” a little by using some of Liquitex Basics Blue Gray Blue “convenience color”.

This is the week 7 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University.βIt’s based on a photo of the Swiss Alps.βI painted this on a 6×6 canvas panel, with a toned background of a neutral brown (made with Red Oxide, Cad-free Yellow Medium, and Ultramarine Blue).

More drawing and black paint using an Unsplash photo by Ronny Sison on Unsplash. 8×10 canvas.

Since I’m on a cloud kick, I took some of my own photos of clouds, and am starting to paint some of them, focusing on keeping edges as soft as possible with acrylic paint. The blue sky is a mix of cerulean blue, ultramarine blue and some white. The trees were done in raw umber. 6×8 canvas panel.

