After doing a quickie version in pastels, I decided to a similar scene in acrylics. This was done on 7×10 300-lb. cold-pressed watercolor paper.
Here’s the work-in-progress (right) and the finished version (left).
After doing a quickie version in pastels, I decided to a similar scene in acrylics. This was done on 7×10 300-lb. cold-pressed watercolor paper.
Here’s the work-in-progress (right) and the finished version (left).


This was painted on a 6×6 canvas panel and was inspired by an image by u_co44impxvh from Pixabay.

I decided the background was too gloomy with that gray blue, so painted over it with Golden’s Neutral Gray 7.
I used the blurred reference photo from the PaintCoach Patreon site, and listened here and there to the video, but ultimately I decided to go with my interpretation of the colors rather than trying to copy color for color the instructor’s work.

We had a baseball game to go to in the afternoon (for Independence Day) so I wasn’t able to get more done on this painting. However, I have the base colors in for the roses.
I need to watch the PaintCoach‘s YouTube to understand what he did for the flower stalks, and the finishing touches.

I’m trying roses now, using a reference photo from PaintCoach’s Patreon site. This is the background done, on a 11×14 canvas.

This 9×12 painting of a vase of sunflowers is from one of the PaintCoach Patreon lessons. I’m on a sunflower roll…
For the stems, I used my Liquitex BASICS Green Gray, my new Green Earth, and Phthalo Green (Yellow Shade) with Liquitex Cad-Free Yellow.
For the petals, I used Cad-Free Yellow, Yellow Ochre, and Cad-Free Orange desaturated with Ultramarine Blue.
The vase was done with Ultramarine Blue, Cerulean Blue and Titanium White.

Wow! I’ve actually made 100 paintings. This one was my first from life rather than a photo. And, man, these sunflowers are in bad shape! I bought them specifically to paint them, but I’ve been drawing rather than painting for the last week or so. (I did take some photos of them right when I bought them, though, so I can try again.)
I decide to use my new Green Earth paint for the stems and leaves (mixed with my go-to Chromium Oxide Green. I used Diarylide Yellow for the petals, and a mix of Burnt Umber Light w/ Carbon Black for the faces of the flowers.

The other day I bought some new acrylic paints from brands I haven’t used before. I needed some more yellow azo medium, so I tried Matisse Flow. I am perfectly happy with the color and the paint itself, but a negative for me is this brand has a foil covering once you take off the cap. I couldn’t pull it off by hand; had to use a knife — and found the whole thing unnecessary.
I got Green Earth and Payne’s Gray made by Old Holland. I like both colors — in particular the Payne’s Gray which would be great for a night sky. It surprised me that the Green Earth was so transparent. It would be good in a floral still life or a landscape.
The Cerulean Blue is made by Charvin. I think it’s a single pigment color. And I love the color!

I did this quick study from memory and on a 6×6 canvas panel based on one of my own photos. I had previously underpainted the panel in an Ultramarine Blue-Titanium White mix, which seriously affected the magenta paint.

