Small Works

Sktchy – Painting Portraits Class #2 – DONE!

| cathmary1030

The portrait lesson from my “Painting Portraits with Karl Staub” class on Sktchy is now complete. If I had it to do again, I wouldn’t use the Opera Rose/Raw Sienna mixture. I’d go with a pale umber or a light yellow ochre. Or even just a plain white canvas! Anyway, I am mostly satisfied with it — the eyes are better than I’ve done before!

I skipped a lot of the blue and the white highlights the teacher used in the online class; the red background of my canvas made it look like she had red highlights in her hair (as opposed to the black tresses the actual model has in the photo reference used.)

#Sktchy #PortraitswithKarl

Sktchy – Painting Portraits Class #2 (WIP)

| cathmary1030

This work-in-progress is again from my “Painting Portraits with Karl Staub” class on Sktchy. I am doing this one in acrylic on a 8×10 canvas. The background is a mix of Opera Rose (Winsor & Newton Galeria) which is a garish bubble gum pink and Raw Sienna. The face was drawn on to the painted canvas, and I’ve done the first layer in Burnt Umber (following along).

#Sktchy #PortraitswithKarl

Sktchy – Painting Portraits Class

| cathmary1030

This work is from my “Painting Portraits with Karl Staub” class on Sktchy. I’ve finally gotten around to beginning that on-demand class. The idea was to use gouache — which I don’t have — so I used watercolor. I used the 140 lb. cold-pressed paper in my “Visual Journal” (bought months ago and never used until now.) The paper buckled — ugh. Oh well, it was all in fun anyway.

Watercolor and ink. 9×12.  #Sktchy #PortraitswithKarl

(Acrylic University) Acrylics 101: Mini Practice Paintings #3

| cathmary1030

This was the third of the 3 mini practice paintings where we the students copy some of Jed’s paintings. In the next round, we copy bigger paintings which are more challenging. Then we move on to more detailed studies of subjects like color mixing, perspective, design/composition, etc. (All with practice paintings of course!)

I had bought some black 8×8 canvases during the holiday season so I used one of those rather than tone a white canvas with Mars Black. Same difference — I just don’t like the black canvas. It skews my sense of color. Ugh. I just want to paint all over it to cover it up!

(Acrylic University) Acrylics 101: Mini Practice Paintings #1

| cathmary1030

So I’m going through the Foundations classes in the library of Acrylic University — basically the reason I paid for a year’s subscription. In Acrylics 101 we cover the basic tools (brushes, easels, types of acrylic paint), the importance of thumbnail sketches, values, color (opaque vs. transparent, color mixing, etc.) and then finally we do some practice paintings. Three are minis (6×6) and three are larger sized (up to 16×20).

Jed Dorsey, our instructor, says that he has found that beginners do better — and gain confidence more quickly — when they attempt to copy a painting rather than work with a reference photo (or plein air) primarily, I assume, because the artistic decisions have already been made. He demos painting a copy of his own painting, explaining why he did what he did.

So, with that lead-in, here’s my painting of his painting. I used Diarylide Yellow as my toning color, and painted on 6×6 canvas paper using only a #8 flat brush.

(Acrylic University) Primary Palette 101: Exercise, Part 2

| cathmary1030

These paintings are from Part 2 of an color-study exercise I’m doing on the Acrylic University site. The class is taught by Jed Dorsey; it is his reference photo and his follow-along painting vids I am using for my own studies below.

Part 2 features different versions of the primary hues; I am using Liquitex Cad-Free Yellow Light (cool), Ultramarine Blue (warm), and Anthraquinone Red (cool).