Small Works

Pear Study

| cathmary1030

Nothing special about the results of this study, which I found on Patreon… I used a glaze of yellow and satin glazing medium on top of the brightest side of the pear. Might as well use some of the features of acrylic painting.

Autumn Tree from #PAINTCOACH Patreon

| cathmary1030

This Autumn Tree exercise was from a PaintCoach post on Patreon. I did it on a 6×6 linen panel in acrylic. Getting the colors even close to correct was a beat-down. I’m discovering I prefer liquid or soft-body acrylics to the heavy-body, at least when I’m trying to imitate painting in oils!

One photo is of the work-in-progress; the other is the “I’m done with this!” version.

I’m most satisfied with the sky. If I were to paint this again, I’d use much less yellow in the tree, and make shorter and less uniform brush strokes.

Redo of “50 Small Paintings”: Mountain Landscape

| cathmary1030

My original 5×5 painting of a mountain landscape, based on Mark Nelson’s “Learn to Paint in Acrylics with 50 Small Paintings: Pick up the skills * Put on the paint * Hang up your art” did not adequately reflect, in my opinion, atmospheric perspective. The mountain was unrealistically brown, the snow was unrealistically white, and the sky unrealistically blue!

So, I’ve tried again. The new version, obviously, is on the left. This was a 6×6 canvas, also painted in acrylics. It’s marginally better.

However, I think if I were to paint it yet a third time (!), I’d leave out the rocks in the foreground, instead adding a path through the meadow to the trees. I’d also work on my brushwork for both the mountain and the snowcap, and would add shadowed shapes to better indicate the form of the mountainside.

Avocado Still Life: #PAINTCOACH Patreon

| cathmary1030

I’m a Patreon subscriber to PaintCoach’s account, and one of the still life project is to do an avocado. This work is done in acrylic. I’m happiest with the whole avocado. As for the yellowish flesh of the avocado half, I painted it thickly with a palette knife, and later applied a satin glaze mixed with yellow paint.

Small Seascapes Project

| cathmary1030

Using the Mixed Media Color Studio book by Kellee Wynne Conrad, I followed along with the seascape project. The author used 4×4 wood panels, but I used 6×6 blocks. The author used only paint, but I used Liquitex Basic Coarse Texture Medium from my sister’s stash to mix in with my burnt sienna/yellow ochre paint as “sand”. I also finished off the foamy waves with Liquitex Glass Beads, painting over the dried paint.

(I also tried mixing paint with the glass beads, as you can see below with the green sea scene; unfortunately, you lose the light effects with the glass — didn’t care for that.)

The upper-right photo also includes the clouds painted with Golden Heavy Body Iridescent paint. Not sure how useful that paint is, but couldn’t resist buying some to try it out.

Cherry Tree Dropping Blossoms

| cathmary1030

I got the idea for this cherry tree painting from the Feeling Nifty website. I didn’t care for the example of the black/gray background, or the black tree — it looked too much like Halloween to me. (Halloween is a great holiday, but it doesn’t mix with blossoming cherry trees!) Also, I didn’t have Q-tips, nor did I want to use them — it would’ve been too close to copying the artist. I wanted to do things my way.

This was done on a 5×7 canvas; the background is ultramarine blue with black (“Payne’s Gray”). The predominant color of the blossoms is Quinacridone Magenta (pigment color PR 122) dark and tinted with Titanium White, with some Cadmium Red Hue (PR 112).