My most recent effort. I see a lot of issues. ๐ Most likely resolved with more practice.
Photo by Vicky Hladynets on Unsplash
My most recent effort. I see a lot of issues. ๐ Most likely resolved with more practice.
Photo by Vicky Hladynets on Unsplash


This is a portrait done in HB pencil. Photo by Eli DeFaria on Unsplash.


I have a bad habit of signing up for online classes (Jed Dorsey’s Mini Challenge, Ali Kay’s VIP Fresh Paint class, Sktchy’s 30 Faces in 30 Days, Kara Bullock’s Let’s Face It 2024 (and 2023) and now 2025) and then letting the classes languish. The only good thing is that they’re all “lifetime” (or at least until they go out of biz!)
Anyhow, I suddenly got fired up to draw more portraits, so I went back to Phil Davies’ Sketch Awesome class and looked up week 4 which was about drawing portraits based on the Loomis Method.
Below is the result of doing the head in profile via the Loomis method. I don’t have a credit on the author of the reference photo, which comes with the class.


Back in March, I posted about painting a vase of purple tulips, from a one-off online class by Ali Kay. I had decided I would consider joining her “Fresh Paint” membership, which from what I can tell operates more or less like Jed Dorsey’s Acrylic University.
So, the doors opened for a limited time last week, and I joined for a year. We’ll see how it goes. I like the work she posts on Instagram, and I like her subject matter — a lot of people and animal portraits, as well as flowers.
This painting is actually based off of an Unsplash photo. I struggled a bit with her process, which seemed a little bit paint-by-number to me, but I wanted to try it. Hardest for me is remembering to leave touches of the underpainting visible, as I’m used to often painting on white canvas and skipping the whole underpainting thing. Also I rarely layer to the extent she does — but perhaps I should.
She also primarily works from photographs, and transfers the key lines from the photo to the substrate so you focus on painting rather than drawing. Also, she works on gessoed wood panels, using fluid acrylics, while I’m working on canvas using heavy-body acrylics so the flow is obviously different. (It’s too hot where I live to use a lot of fluid acrylics — they dry in something like 2 minutes.)
I’d like to try doing this on a wood panel to see the effect; I might like it. But I’ve got a stash of canvas to work through first.



This portrait is from one of the classes I’m taking at Acrylic University. I painted it weeks ago and just haven’t been focused on either this blog, or painting at all.





I’ve been taking a couple of Lauren Rudolph’s classes at Kara Bullock Art. This portrait is not part of the class; I found it on her website, and found it at least as interesting as anything in the class.
This was done on an 8×10 stretched canvas. The value on the ear is completely wrong; I need to go back and fix that.

More drawing and black paint using an Unsplash photo by Ronny Sison on Unsplash. 8×10 canvas.

I got bored with this, so it’s not finished.โSketched on drawing paper based on a photo from 2013, then transferred on to 300-lb. cold-pressed watercolor paper.โ(At that point, I’m already bored, ha-ha!)โI did a wash of an orange mix with matte medium, and then painted with Mars Black, messing up on the shadows.

This was drawn out and then transferred to an 8×10 canvas, based on a reference photo from a Kara Bullock Art drawing class called “Pushing the Values” taught by Lauren Rudolph.
