Painting

Glazed Pear: Round 3

| cathmary1030

This is the last pear I did — I’m sick of pears for the moment! — and this was done on slippy-slidey gessoboard. (I’m almost done with my stash of that stuff and am in no hurry to buy more.) In this one, I did the final yellow glaze only on the pear itself, and before I added the highlight.

Funny thing, after all this pear painting, I was at the grocery store today, and for the first time I really noticed all the pears in the produce section; each type has its own shape. I think of this shape as somewhat close to a “classic” pear, but that’s really the Bosc pear. Some are short and squat more like gourds or squash.

Glazed Pear: Round 2

| cathmary1030

This is work from the Marla Baggetta class I mentioned the other day. These pears were done after I watched the video provided, so they’re closer to how she did it, but not entirely. I took a series of in-progress photos; sometimes we’re glazing, sometimes we’re painting. The very bottom photo at the end is the final result; everything skews yellow because a yellow glaze was the last step.

I’m not entirely sold on the layering and layering of glazes; seems like a lot of extra work. It seems to me to make more sense when using pastels than when using acrylics,

This was done on an 8×8 canvas.

My First-Ever ACEO’s

| cathmary1030

ACEO is an acronym for “Art Cards, Editions and Originals” and their standard size is 2-1/2 x 3-1/2 inches. I bought a packet for 10 ACEO watercolor papers by Swarthmore a few years ago, but never used them.

These I did using hard and soft pastels, just for the heck of it, as I was watching HGTV. The green palm tree is based off a Winslow Homer watercolor I have a print of. I’d like to do some using acrylics at some point.

Glazed Pear: Round 1

| cathmary1030

I signed up for Marla Baggetta‘s class “Adventures in Acrylics“. The first demo she provides is treating acrylics rather like watercolors, and building up glazes of a single pear, and a group of 3 pears. So, before I watched her video demo, I did my own interpretation.

I have two pear paintings which I did side by side: one is on gessoboard (which I mostly haven’t used so far) and one is an 8×8 “super saver” cotton canvas from Dick Blick. I find the paint slips and slides more on the gessoboard; something I find irritating in my beginner-ness.

That said, on the whole, I prefer the pear I did on the gessoboard; it’s a more accurate shape. (I actually sketched the pear with an HB pencil in that version. In the other, I just painted the shape with a bit of yellow ochre paint.)

Otherwise, I did the same process and used the same colors on both substrates, finishing off with a satin gloss.

Quick Studies in Acrylic — Craig Nelson

| cathmary1030

One of the benefits of membership in ArtistsNetwork is viewing certain videos. The other day I watched a video on quick studies in figure painting using acrylics taught by Craig Nelson. On this ArtistsNetwork video, Nelson does 3 different quick studies of figures: one in 20 minutes, one in 30 minutes, and one in 40 minutes.

Based on his video, I was reminded of what I read in Kevin MacPherson’s book about doing 100 “quick starts”.

I had never heard of the guy, but it turns out he posts to YouTube and teaches at Academy of Art University, and his website is here. On his website, I learned he had published at least 2 books on art, one called 60 Minutes to Better Painting. I found a used copy on Amazon, and it just arrived today. I’m excited to check it out!

Clementines… From Will Kemp’s Art School

| cathmary1030

Another artist I found and follow on YouTube and his personal site is Will Kemp, from the UK. He is classically trained, and began with painting in oils, later switching to acrylics because he was working in an area not properly ventilated for the paint thinners and solvents he had been using.

Will Kemp has multiple YouTube videos, online tutorials on his website, online classes for sale (and downloading) in acrylics, and I am finding his style as a useful enhancement to what I’m learning from Paint Coach.

I bought Kemp’s Still Life Acrylic Project E-Book, and am working through it. First up was a project that involved painting a group of clementines. Much of the focus is on setting up your colors by color mixing, which is something I need to learn about.

This was painted on an 8×8 canvas.