The class covers basic suggested supplies, brushstrokes, values, the grayscale, color mixing, and 3 small paintings.
The first two paintings from the class are below. You paint the moon scene in grayscale first, and then paint color over it, keeping with the value map. The last photo is of the color painting, but in black & white to validate the value map.
The second set of paintings is a sunset, and the last one (not yet completed) will be roses.
But today I decided to use repurpose an old 12×12 canvas, and paint along with the video I watched last night. It was fun!
So, Slivka started out with an orangey underpainting, and then painted the forms in either Sap Green (which I used) or Hooker’s Green. For my background, I used Pyrrole Red (PR 254) mixed with Cadmium Yellow Hue (Liquitex Basics). (The blotchy look in the background is from my original unfinished painting.)
Then, while the figures were not yet dry, I followed along, painting their clothing in Titanium White, as Slivka did.
Painting the sky came next. I used Cerulean Blue (Utrecht Fluid brand) with some Titanium White.
Next was the ocean and the sand. Slivka uses some aqua green and Naples Yellow, respectively. I used Liquitex Basics Turquoise Green and created a kind of “Naples Yellow” by mixing Yellow Ochre with Titanium White. The sun-bright clothing was Titanium White softened with Cadmium Yellow Light Hue.
Slivka used Raw Sienna and Cadmium Red for the skin; I used Raw Sienna and Red Oxide. For the clothing shadows, Slivka used a violet with white. I used Liquitex Basics Gray Blue with some white.
I repainted the sky from Cerulean to Light Blue Permanent (Liquitex brand) mixed with additional Titanium White. I may repaint the ocean, and get the horizon line straighter; regardless, this exercise was just a lot of fun!
The other day I was on Instagram, and something came up in my feed about Acrylic University, an art site I wasn’t aware of until that moment. I checked it out and signed up for an 8-week “Cloud Challenge” class taught by Dianna Shyne. This painting was done today in that class.
I had fun!
Clouds are more difficult to paint than they seem.
I really do not like phthalo blue as a color — it’s much too intense, and much too much of a greenish blue.
The “black” in this painting is a chromatic black — ultramarine blue, phthalo blue, Anthraquinone Red (marketed as alizarin crimson) and the merest touch of cad yellow hue.
Overall, I like the colors, but this looks more like a stained-glass abstract than puffy clouds.
This snowman (painted on an 8×8 canvas) was inspired in part by snowmen done in pastel by Karen Margulis. It’s been warmer than normal here for December, but we might actually have a freeze tomorrow. No sign of snow, though. (Sigh.) So I thought painting a snowman would put me in a winter mood.
I’m not sure if you can tell, but the (viewer’s) right side of the snowman is a gray-white, while the (viewer’s) left side of the snowman is a sky blue-white mix.
The other colors are Pyrrole Red (straight from the tube), Yellow Ochre (mixed with the red for the carrot stick nose), Sap Green and Mars Black (straight from the tube) and the lavender background is a dash of Dioxazine Purple with Titanium White.
This was done on a black canvas, so the cast shadow is actually unpainted. The lights were painted in Hansa Yellow, but then I came back with some of my silver and gold metallic paints from Lascaux.
I ‘m working on painting pine trees, so I can make some Christmas cards on a Christmas tree theme. The tree on the left was painted on a 6×6 canvas panel, and is based on Kim’s class (a follow-along).
The tree on the right was painted on a 8×8 black stretched canvas. The shadow of the tree is unpainted; I’m just using the black of the canvas.
I’m continuing to work on follow-along/demo portraits from Hashim Akib’s book Painting Portraits in Acrylic. Today I started work on a portrait of an older, bearded man.
BetterLateThanNeverArt 