After I completed the week 12 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University, and compared it to a grayscale of the reference image, I realized the values were off. So I’ve lightened the trees and the grass.
Here’s the value comparison between the reference image and the original painting, and then the reference and this updated version. The updated pic is, obviously, on the left. My trees and my grass were much too dark in my first attempt.
I finally finished the purple tulips. It’s not really my style, but I had to try it. If I could do it all over again, I’d either dilute the gesso with some water and use the biggest brush I could find (to minimize brush strokes / ridges, and I’d probably do it in at least a 10×10 size.
The finished version is on the left. Where it looks black, it’s not. That’s dioxazine purple. Also, I started out with a straight line between the table and the wall, but messed up with my salmon-colored paint. I’ll need to adjust either with the bluish-purple (likely) or the orange/ salmon color.
This is the week 12 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. The reference photo [from Mark Hadland] is from somewhere in the Colorado Rockies, I believe, and the painting is called “Let’s Take a Hike”. It’s painted on a 6×6 Claybord panel, toned in black first. I liked the Claybord better than Gessobord; what I read online is folks beefing that is shows the brushstrokes. Which, yeah, it does. But, in my case, so what? I’m just practicing, not doing commissioned work.
One thing, though — I need to do the trees and sky “my way”. (Which is — do the sky FIRST and then paint in the trees.) Doing it Jed’s way is fine for him, but for me it just looks like c–p.
I haven’t worked on this project in days, because frankly I got a little bored. Too paint-by-numberish. I like this artist’s style — more here — for pet portraits and people, and am thinking about signing up for her “Fresh Paint” school when it reopens. But I wanted to see what “Fresh Paint” might be like by purchasing this lesson. We get the templates (which I like!) and then the color “recipes”. Her style is to use (more or less) complementary-color underpainting in pieces (not just one overall underpainting / toning). She also uses Masonite or wood panels that have to be gessoed first, rather than canvas or paper.
Also, I’m using an 8×8 panel and in all honesty it would be better if I were doing a 12×12 or even 20×20. (Those templates are also available as part of the class.)
Anyway, this is what I have so far, and I’ll try to finish it some time this week.
I can’t believe we’re already through week 11, almost 25% through this year challenge. Time flies! This is the week 11 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. The name is “Roses are Fair”. (In my case, I should say, “Roses are Abstract”, ha-ha!)
6×6 panel, gray underpainting from a Raw Umber-Titanium White blend.
I definitely need more practice with roses!
I painted this bouquet of roses from Jed Dorsey’s online class at Acrylic University. I’m fairly happy with the roses, not so much with the reflections in the vase. But this was fun!
9×12 stretched canvas. I copied Dorsey’s violet underpainting, but I don’t think I’d use that color next time. The violet color is truer in the half-painted image than in the initial drawing out image.
This is the week 10 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. The name is “Golden Vineyard”. I’m not sure where Dorsey got the photo, but he did his painting on a black canvas. I looked at the reference photo, and it seemed more golden to me, so I went with a yellow ochre background.
This is on a 6×6 canvas panel, a brand I haven’t used before (Yes! All Media cotton). I bought it at my local Jerry’s Artarama, and found it to be extraordinarily smooth, more similar to Ampersand’s Gessobord than the typical cotton panel. I’m undecided about it, as I certainly didn’t like Gessobord when I tried it last year. We’ll see.. I have 5 more panels to use.
This is the week 9 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s based on a photo he took at Cannon Beach in Oregon. I really liked painting this one, but I want to try it again, because I want more beach in the scene, and for the rocks to be a bit smaller. 6×6 canvas panel.
This is the week 8 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. It’s based on a photo he took near the Tetons in Wyoming. He called it “Late Light Shed”. I enjoyed painting this one. As usual, it’s the 3 primaries, black and white, but I did “cheat” a little by using some of Liquitex Basics Blue Gray Blue “convenience color”.
BetterLateThanNeverArt 