AU: Simple Shapes… Week #4

A few weeks ago I signed up for an 8 week class at Acrylic University called “Simple Shapes” taught by Dianna Shyne. I wasn’t overly interested in painting the still lifes for the first 3 weeks, despite watching the videos and downloading the reference photos, but I did want to try painting the red onion.

This was on 6×6 acrylic paper (SoHo brand). The first time, I put too many of the colors Dianna used, and the result didn’t look much like an onion! (Hers did, mine didn’t.) So the next day I painted over what I had before, and tried again. I think the second attempt is much improved. I also used smaller brushes, especially for the onion roots.

Field of Daffodils… After Dianna Shyne

One of the perks of Acrylic University membership is weekly classes/workshops livestreamed on YouTube. Last Friday, the instructor Dianna Shyne led a workshop on the “Colors of Spring”, which included her painting four small studies of flowering trees and spring flowers. One was of a field of daffodils, and since daffs are my favorite flower, I tried my own version of the reference photo she used.

This was done on an 8×10 stretched canvas, and the yellow used is (mostly) Liquitex Cad-Free Yellow Light (Lemon), with some Cad-Free Yellow Medium in the foreground. All the various shades of green were mixed from Cad-Free Yellow Light and Mars Black.

52 Mini Paintings Challenge: Week #13

This is the week 13 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. I’m not certain where the reference photo was taken; it’s not one of Dorsey’s. The painting he did in the paint-along is called “Big Clouds” and he uses a magenta red underpainting. To be honest, his version of this painting is one of the reasons I signed up for this challenge. I’m not over-crazy about my own version; it’s just another study of clouds. I need more practice.

52 Mini Paintings Challenge: Week #12 – Value Adjustment

After I completed the week 12 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University, and compared it to a grayscale of the reference image, I realized the values were off. So I’ve lightened the trees and the grass.

Here’s the value comparison between the reference image and the original painting, and then the reference and this updated version. The updated pic is, obviously, on the left. My trees and my grass were much too dark in my first attempt.

Purple Tulips… after Ali Kay – Done!

I finally finished the purple tulips. It’s not really my style, but I had to try it. If I could do it all over again, I’d either dilute the gesso with some water and use the biggest brush I could find (to minimize brush strokes / ridges, and I’d probably do it in at least a 10×10 size.

The finished version is on the left. Where it looks black, it’s not. That’s dioxazine purple. Also, I started out with a straight line between the table and the wall, but messed up with my salmon-colored paint. I’ll need to adjust either with the bluish-purple (likely) or the orange/ salmon color.

52 Mini Paintings Challenge: Week #12

This is the week 12 painting for Jed Dorsey’s Mini Painting Challenge at Acrylic University. The reference photo [from Mark Hadland] is from somewhere in the Colorado Rockies, I believe, and the painting is called “Let’s Take a Hike”. It’s painted on a 6×6 Claybord panel, toned in black first. I liked the Claybord better than Gessobord; what I read online is folks beefing that is shows the brushstrokes. Which, yeah, it does. But, in my case, so what? I’m just practicing, not doing commissioned work.

One thing, though — I need to do the trees and sky “my way”. (Which is — do the sky FIRST and then paint in the trees.) Doing it Jed’s way is fine for him, but for me it just looks like c–p.

Purple Tulips… after Ali Kay — in progress

I haven’t worked on this project in days, because frankly I got a little bored. Too paint-by-numberish. I like this artist’s style — more here — for pet portraits and people, and am thinking about signing up for her “Fresh Paint” school when it reopens. But I wanted to see what “Fresh Paint” might be like by purchasing this lesson. We get the templates (which I like!) and then the color “recipes”. Her style is to use (more or less) complementary-color underpainting in pieces (not just one overall underpainting / toning). She also uses Masonite or wood panels that have to be gessoed first, rather than canvas or paper.

Also, I’m using an 8×8 panel and in all honesty it would be better if I were doing a 12×12 or even 20×20. (Those templates are also available as part of the class.)

Anyway, this is what I have so far, and I’ll try to finish it some time this week.