Okay, I’m done with this. I revised the background, modified the eyes and nose, and added whiskers, and ear fur (dry brush). I wish I hadn’t used the red for the undertone, but it is what it is.
Reference photo by Milada Vigerova on Unsplash
I am painting this on an 8×10 canvas which I toned in a cadmium red hue over a year ago. It’s based off a photo on Unsplash that was then enhanced (eyes yellower, shadows bluer, etc. etc.) by Ali Kay of Fresh Paint. (I’m enrolled at that virtual classroom for some of Ali Kay’s lessons.)
Photo by Milada Vigerova on Unsplash
I painted this dog on the sofa based on a reference photo by Alyssa Fleischer, part of a January 2022 “painting party” at Acrylic University. It is also viewable on YouTube here.
This was painted on an 8×8 canvas panel. The dog was done in Titanium Buff (aka Unbleached Titanium (PW 6:1) and Burnt Umber. For the window panes I used the same — but added a touch of Mars Black. (I am going to go back and redo the panes, painting with a straight-edge 🙂
The greenery base was Chromium Green with some Ultramarine Blue, Titanium White, and Cad-free Yellow Light. The sofa I painted using Liquitex BASICS blue-gray and since it’s a “student” color, it darkened a whole lot after drying, but I think I’ll leave it as is.
I’ve never really considered digital painting before because I don’t have an iPad or an iPhone. Instead, I have an Android phone, and a Kindle Fire 10. However, one of my favorite artists on Instagram (Teddi Parker) has posted occasionally some work she’s done using ArtRage Vitae. So I decided to check it out — and to my surprise it’s available not only for Apple products, but Android and desktops (Windows, MacOS).
Okay, then. I bought it for $2.99 on Google Play and loaded it on both my phone (can’t see using it there, though!) and my tablet. Below is my first work.. a sketch of my cat, Simba, based on a photo I took of him some time back when he was on my lap. I saved it before I finished his long white whiskers (well, really I messed up with layering and had to start all over again.)
Not bad, for a first attempt. I used my finger, and am debating purchasing a stylus to see if that helps.
This bird was painted on a 11×14 canvas which I toned with Blick Studio neutral gray — but I should have added at least one layer of gesso. (Cheap “pre-gessoed” canvases are less and less appealing to me.)
This is from another class on the Acrylic University website, originally shown to the public on YouTube for a brief period of time back in January 2022. The focus of the week’s classes was “Radiant Landscapes” and this class was about going big and bold with your brushstrokes to paint a chickadee.
There were 4 ways suggested to “go bold”: 1) limit yourself to 30 minutes painting (and that’s it, no going back later); 2) Limit yourself to a certain number of brushstrokes — say, 50, or 75; 3) use a large brush throughout; 4) paint with your non-dominant hand
I went with a larger brush than I typically use, and I had a lot of fun with this painting. It makes me happy to look at.
I did this painting on an 8×8 canvas which I had months ago applied modeling paste to, without knowing what I was going to do with it. So I decided to paint the crow (based on an image by mycol from Pixabay). After a while, it gets tiring to paint other people’s work from class, ugh.
I enjoyed painting this.
This painting of a bird came from a bonus class at Acrylic University. While I’ve drawn or sketched birds, I’ve never tried painting a bird so I decided to give it a shot, after watching the 25 minute video. This was done on a 6×6 panel with only the primaries, and white as my colors.
I did this quickie sketch using watercolor pencil.
BetterLateThanNeverArt 