Here’s the finished painting, based on Will Kemp’s still life e-book. I posted the work-in-progress here.

Here’s the finished painting, based on Will Kemp’s still life e-book. I posted the work-in-progress here.

One of the benefits of membership in ArtistsNetwork is viewing certain videos. The other day I watched a video on quick studies in figure painting using acrylics taught by Craig Nelson. On this ArtistsNetwork video, Nelson does 3 different quick studies of figures: one in 20 minutes, one in 30 minutes, and one in 40 minutes.
Based on his video, I was reminded of what I read in Kevin MacPherson’s book about doing 100 “quick starts”.
I had never heard of the guy, but it turns out he posts to YouTube and teaches at Academy of Art University, and his website is here. On his website, I learned he had published at least 2 books on art, one called 60 Minutes to Better Painting. I found a used copy on Amazon, and it just arrived today. I’m excited to check it out!

I am working on one of the still life projects in the E-book I bought at Will Kemp’s Art School online. This particular painting is focused on an analogue color scheme of red (pink) and purple.

I was browsing through Pixabay and Unsplash for landscape scenes of trees on a hill, and in snow. I was inspired to do this impressionistic work. For the snow, I tinted white with purple, yellow ochre, orange and pale blue. The tree trunks are painted in yellow ochre, burnt umber, orange and purple.


Image by Jason from Pixabay Image by Mali Ancor from Pixabay


Initial Final
Work-in-progress. I am trying out “drybrushing” in this quick study.

As noted yesterday, I had extra yellow paint, so I had painted an 8×8 canvas. I decided to test out some of the acrylic paint markers I just bought, as well as some of the new paint I bought (Amsterdam Expert — a brand I haven’t tried before).
The Amsterdam Expert paint in yellowish green was so thick that I wiped off much of it with a paper towel, hence the smear. I also used some of my alizarin crimson, and Liquitex soft body light blue.
The paint markers are cool; I first heard about them from the Still Life Acrylics e-book I bought from Will Kemp Art School. Kemp uses the paint marker as his drawing tool. (I’ve tried compressed charcoal and charcoal pencil for my drawing tool, and the charcoal smears into the paint.)

I had some extra yellow (PY74) paint mixed with satin glazing medium, which I painted on a 6×6 canvas panel, not wanting to throw out the excess paint.
But, man, it’s bright! Ugh. Because I had recently been watching bluebirds in their nest on YouTube (they’ve since fledged), I decided to paint an impressionistic nest.
The nest and branch are painted in yellow ochre, burnt sienna, burnt umber, and dioxazine purple.

One of the posts on the Paint Coach Patreon page is a portrait-painting tutorial using the portrait of Henry James painted by John Singer Sargent in 1913. The tutorial walks beginning painters through the process of painting the big shapes first, and gradually moving towards smaller and smaller shapes (i.e., more detail).
Chris Fornataro (aka Paint Coach) gives the highlights of that process in a recently posted video on YouTube. A copy of Sargent’s work is on the left; a screen shot from the YouTube video is on the right.


I am not yet finished with my own attempt at copying Sargent, but decided to post my work in progress.


Another artist I found and follow on YouTube and his personal site is Will Kemp, from the UK. He is classically trained, and began with painting in oils, later switching to acrylics because he was working in an area not properly ventilated for the paint thinners and solvents he had been using.
Will Kemp has multiple YouTube videos, online tutorials on his website, online classes for sale (and downloading) in acrylics, and I am finding his style as a useful enhancement to what I’m learning from Paint Coach.
I bought Kemp’s Still Life Acrylic Project E-Book, and am working through it. First up was a project that involved painting a group of clementines. Much of the focus is on setting up your colors by color mixing, which is something I need to learn about.
This was painted on an 8×8 canvas.
