For better or worse, I’ve finished it!

For better or worse, I’ve finished it!

After I completed today’s work, I realized that the center pumpkins were all in a line, and I decided I didn’t like that. Bad composition. (See left image.) So I removed one of the pumpkins, and I think it looks a bit more natural.


It’s finally starting to feel like fall here after a long, hot summer. So, I’m in the mood for fall-themed paintings. This one is from a lesson for patrons of PaintCoach. The idea is to map out the large shapes first, and get the values set before filling in the detail.
I’m doing this on an 8×8 canvas, which I painted with Winsor & Newton Galeria in Pale Umber, drawing out the lines with an acrylic paint pen. (Some of the lines are “wrong”, but I’ll be painting over them anyway.)


I did these paintings based on a lesson from PaintCoach on Patreon. The first one I did, I barely looked at the photo, and instead was following along with the video. The scene ended up being excessively abstract (top right). The second effort is marginally better, but I’m still not satisfied.




I did this quickie sketch using watercolor pencil.

Some time back I had painted this 6×6 canvas panel with cerulean blue, so today I used that for my sunflower. The petals are layered with cadmium-free orange as the base (although it looks like yellow ochre now that it’s painted on the blue). Then I mixed azo yellow with some yellow ochre. Finally, the top layer is cadmium-free yellow. The center is burnt umber light, with some yellow ochre, and then purple and yellow denoting the seeds.

I haven’t painted (or drawn) for weeks, so today I was just playing with paint without any ideas in my head of what to paint. But after the red oxide paint dried, I rotated the 8×8 canvas, and it suddenly seemed to me like the Sangre de Christo mountains in New Mexico. To that end, I added the chromium green, the yellow “road” and the white dots (lights in houses along the road?)

Some time ago I bought the Kindle book Skill-Building for the Beginner Artist: How to Draw the Portrait in Pencil by Jacquelyn Descanso. She does hatching and cross-hatching rather than blending. One of practice exercises early in the book is to copy her graphite portrait of ‘Vanesa”. Below is the result of my drawing of her drawing.

I’ve been away from drawing and painting for a few weeks now… must be the summer heat. Finally picked up my Aquarelle pencils and sketch book to do this quickie face.
